Online mp3 gain7/3/2023 ![]() Some tracks I don't bother with and move on because it's so poorly mixed and just sounds weak. ![]() It's not just volume, more like perceived volume when some tracks are compressed and limited to extreme levels. But that's not a new thing, the "loudness wars" debate has been going on for decades now. That said you're right, why some tracks are so effing loud. I generally add a slight (-0.5 dB to -1 threshold, with soft knee) limiter in the process, as the quietest tracks tend to give more peaks and therefore would clip, and it all levels itself in the end. Once it's all mixed and recorded, all you need to do is to normalize the recording and bobs your uncle. This is so to optimize the volume to noise floor ratio. In terms of headroom, I leave -6db when recording in 16 bit, and -15 dB in 24 bit. It is a matter of subtracting instead of gaining, and therefore giving yourself some headroom. When recording a planned mix, I lower the loudest tracks to match the quietest ones. You will here huge difference in the production work and the sound quality.Īt any rate, I do appreciate your input. Let's say you listen to a seasoned producers track like say an Afrojack or a Diplo, and then you download some up and coming producers EDM track off of soundcloud. I sometimes think it has to do with amateur producers who simply haven't learned the correct way to produce a track. It's a standard 320 and that shit is blairing from the word go. Every so often I will here a producers new track and say WTF, why is it so Fffing loud. I've done my best to remove pretty much any low quality tracks from my music library period. Once again, I do my best to stay away from 128 Bitrates. Or if anyone used any mp3 gain softwares or normilization softwares to set volumes before even analyzing music into your Serato library. I get all that, but just wanted to know if anyone had any suggestions on settings with in Serato. Nothing beats your ear when it comes to mixing and volumes. I don't necessarily feel that it's a hassle but if there is a way to set all of my tracks to a relatively close volume this would definitely be a lot easier. Yes I've been using my ear and gain knobs in real time for the longest. Using 128 kbps is like desperately trying to polish a turd.Manu, Use ears and gain knobs in real time, if you feel like it's a hassle then you need more practice. Ohhh and also, I do recognize that upon completing a mix set you can use various softwares to normalize your entire mix but I still want to avoid the highs and lows clashing from the very beginning if I can. Fact is, there is nothing that disturbs me more then mixing in and out of a transition to hear that a track is noticeably louder or lower in volume. It just becomes tiresome having to adjust tracks one by one before you lay out a mix set. If anyone using Serato has any suggestions on a good way to go about setting my options so that all the tracks come out at the same volume this would be a great help. I get all of that, and I do my best not to use 128 Bitrates unless it's just a rare track I could never get a clean high quality copy of. 320's that the sound quality between the both is going to be significantly noticeable. I do recognize that if your going to analyze a bunch of 128 Bitrates vs. ![]() Now before anyone mentions this, I am aware of Bitrates and 320 Kps and Wave being the highest quality. ![]() I use Serato but even though there is an option for Dbs, it seems that after I analyze my tracks I still have tracks that are super loud and others that are significantly lower in volume. I've been mixing for quite a while, but up intill now, I have pretty much tried to adjust my tracks volume the hard way. In conclusion, it's not just a ReplayGain that is applied, so I personally would stay away from any app of this kind except in very particular cases.I need some advice on how to set my tracks volume to be relatively the same. In both cases, if you choose a target too high, you'll get clipping distortion. ![]() While the free one actually CONVERTS the file although it pretends not to (check with anything like Invisor Lite and you'll see that the "Writing library" changes), this one doesn't seems to, but it looks like it rewrites the actual audio content anyway (hence the very long time it takes.). Nevertheless, none of them are displaying a sensible value! They use a maximum target value of 100dB which absolutely makes no sense, as the maximum level of a digital audio file is 0dB. LUFS which is the loudness unit used in recording studios and broadcast) - which the free mp3gain app mentioned by wickedsp1d3r doesn't. I'm not interested in spending 15 bucks for this, but I want to enlighten potential users of the possible interest of such an app: this one deals with the loudness level of files according to current standards (i.e. ![]()
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